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名称 ComofyGal Recliner Spa Deluxe 費用 Lv 1500 Simoleons 設置材料 8 nail, 2 Hope, 6 Bling, 3 Rock, 8 Sand Drop Muse, Paint, Ruler Part1(Manicure Skill) タイトル 最低Lv 解放アイテム 消費エネルギー 報酬 Helping hand - - 5+5 20 hand message 上スキル完了 3 Muse, 3 Goodwill 5+5+5 21 Keep palm acd carry on 上スキル完了 5+5+5+5 22 Getting a grip 上スキル完了 3 Entertainment, 3 Rubber Dukie, 2 Ice 5+5+10+10 23 Dial those Digits 上スキル完了 4 Cloth, 3 Water, 3 Muse 5+10+10+10 24 Handy to have around 上スキル完了 6 Fury, 4 Plan, 1 Hope 5+10+10+15 25 Varnishing point 上スキル完了 6 paint, 4 Paintbrush, 4 Bling, 2 Hope 5+10+20?+20 26 Final polish 上スキル完了 6 Goodwill, 6 Rubber Glove, 3 Ruler, 2 Muse 5+15+15+15 27 Secret File 上スキル完了 6 Relaxation, 8 Ice, 4 Pen, 2 Love 10+15+15+15 28 Nailed it! 上スキル完了 8 Dream, 8 Nail, 6 Orchids, 4 Muse 15+15+15+15 29 Part2(Pedicure Skill) タイトル 最低Lv 解放アイテム 消費エネルギー 報酬 Dipping your toe in 上スキル完了 - 5+5 ? Spa-ing partner 上スキル完了 3 Love, 3 Muse, 3 Goodwill 5+5+5 ? Foot massage 上スキル完了 4 Relaxation, 3 Ice, 4 Cloth 5+5+5+5 ? Filling your feet 上スキル完了 6 Bilng, 4 Entertainment, 5 Mixing bowl 5+5+10+10 ? One step beyond 上スキル完了 6 Sand, 4 Plan, 6 Rubber Duckies 5+10+10+10 ? Slip me some skin 上スキル完了 6 Apple, 8 Relaxation, 2 Hope 5?+10?+10+20 ? Contract Cleanser 上スキル完了 6 Rubber Glove, 6 Peach, 3 Hope, 5 Muse 5+10+15+15 ? Cure-pedis arrow 上スキル完了 6 Water Bottle, 4 Arrow, 4 Ruler, 5 Goodwill 5+15+15+15 ? Heeling hands 上スキル完了 8 Paint, 6 Paintbrush, 6 Rocks, 5 Love 10+15+15+15 ? Put your feet up 上スキル完了 8 Bling, 6 Ice, 8 Orchids, 5 Fury 15+15+15+15 ? Part3(HairCut Skill) タイトル 最低Lv 解放アイテム 消費エネルギー 報酬 At the hair wash 上スキル完了 6 Soapsuds, 4 Sponge, 3 Duster 4 ? ? 上スキル完了 ? ? ? ? 上スキル完了 ? ? ? ? 上スキル完了 ? ? ? ? 上スキル完了 ? ? ? ? 上スキル完了 ? ? ? ? 上スキル完了 ? ? ? ? 上スキル完了 ? ? ? ? 上スキル完了 ? ? ? ? 上スキル完了 ? ? ? Part1を全て完了すると、Part2が開放される。 隣人をAskOverで自宅に招待しないと使う事が出来ない。 これを使うイベントがあるが、完了できない人が多数と思われ
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SOS1-/- mice impair Cdc42 activation in PC12 cells. SOS-/- fly impair the development of eyes. Overexpression of GAB1 exhibit neurite outgrowth, DNA synthesis and survival in PC12 cells. SHCB-deficient animals exhibit a loss of peptidergic and nonpeptidergic nociceptive sensory neurons, Hippocampal long-term potentiation in ShcC mutant mice is significantly enhanced. SHCA controls the size of brain. Cbl-b null mice exhibit the enhancement of long-term memory. SOS1-/- mice impair Cdc42 activation in PC12 cells. 1 Mol Biol Cell. 2005 May;16(5) 2207-17. Epub 2005 Feb 23. Local phosphatidylinositol 3,4,5-trisphosphate accumulation recruits Vav2 and Vav3 to activate Rac1/Cdc42 and initiate neurite outgrowth in nerve growth factor-stimulated PC12 cells. Aoki K, Nakamura T, Fujikawa K, Matsuda M. Department of Tumor Virology, Research Institute for Microbial Diseases, Osaka University, Osaka 565-0871, Japan. Neurite outgrowth is an important process in the formation of neuronal networks. Rac1 and Cdc42, members of the Rho-family GTPases, positively regulate neurite extension through reorganization of the actin cytoskeleton. Here, we examine the dynamic linkage between Rac1/Cdc42 and phosphatidylinositol 3-kinase (PI3-kinase) during nerve growth factor (NGF)-induced neurite outgrowth in PC12 cells. Activity imaging using fluorescence resonance energy transfer probes showed that PI3-kinase as well as Rac1/Cdc42 was transiently activated in broad areas of the cell periphery immediately after NGF addition. Subsequently, local and repetitive activation of PI3-kinase and Rac1/Cdc42 was observed at the protruding sites. Depletion of Vav2 and Vav3 by RNA interference significantly inhibited both Rac1/Cdc42 activation and the formation of short processes leading to neurite outgrowth. At the NGF-induced protrusions, local phosphatidylinositol 3,4,5-trisphosphate accumulation recruited Vav2 and Vav3 to activate Rac1 and Cdc42, and conversely, Vav2 and Vav3 were required for the local activation of PI3-kinase. These observations demonstrated for the first time that Vav2 and Vav3 are essential constituents of the positive feedback loop that is comprised of PI3-kinase and Rac1/Cdc42 and cycles locally with morphological changes. Publication Types Research Support, Non-U.S. Gov t PMID 15728722 [PubMed - indexed for MEDLINE] SOS-/- fly impair the development of eyes. 1 Cell. 1991 Jan 11;64(1) 39-48. Genetic dissection of a neurodevelopmental pathway Son of sevenless functions downstream of the sevenless and EGF receptor tyrosine kinases. Rogge RD, Karlovich CA, Banerjee U. Department of Biology, University of California, Los Angeles 90024. We have isolated a dominant mutation in a gene called Son of sevenless (Sos) that is an allele-specific suppressor of the sevenless phenotype. This suppressor function is autonomously required in R7 and is sensitive to the dosage of the Sos and bride of sevenless genes. Loss-of-function alleles of Sos are recessive lethals, but in the eye Sos has a role in R cell development. Mutations in Sos also interact with the Ellipse allele of the Drosophila EGF receptor. We propose a model suggesting that the Sos product is downstream of sevenless and the EGF receptor, and that the dominant suppression results from the overexpression or increased activity of the gene product. Publication Types Research Support, Non-U.S. Gov t Research Support, U.S. Gov t, P.H.S. PMID 1846090 [PubMed - indexed for MEDLINE] Overexpression of GAB1 exhibit neurite outgrowth, DNA synthesis and survival in PC12 cells. 1 J Biol Chem. 1999 Dec 24;274(52) 37307-14. Gab1 mediates neurite outgrowth, DNA synthesis, and survival in PC12 cells. Korhonen JM, Said FA, Wong AJ, Kaplan DR. Montreal Neurological Institute, Brain Tumor Research Centre, Montreal, Quebec H3A 2B4, Canada. The Gab1-docking protein has been shown to regulate phosphatidylinositol 3-kinase PI3K activity and potentiate nerve growth factor (NGF)-induced survival in PC12 cells. Here, we investigated the potential of Gab1 to induce neurite outgrowth and DNA synthesis, two other important aspects of NGF-induced neuronal differentiation of PC12 cells and NGF-independent survival. We generated a recombinant adenovirus encoding hemagglutinin (HA)-epitope-tagged Gab1 and expressed this protein in PC12 cells. HA-Gab1 was constitutively tyrosine-phosphorylated in PC12 cells and induced the phosphorylation of Akt/protein kinase B and p44/42 mitogen-activated protein kinase. HA-Gab1-stimulated a 10-fold increase in neurite outgrowth in the absence of NGF and a 5-fold increase in NGF-induced neurite outgrowth. HA-Gab1 also stimulated DNA synthesis and caused NGF-independent survival in PC12 cells. Finally, we found that HA-Gab1-induced neuritogenesis was completely suppressed by pharmacological inhibition of mitogen-activated protein kinase kinase (MEK) activity and 50% suppressed by inhibition of PI3K activity. In contrast, HA-Gab1-stimulated cell survival was efficiently suppressed only by inhibition of both PI3K and MEK activities. These results indicate that Gab1 is capable of mediating differentiation, DNA synthesis, and cell survival and uses both PI3K and MEK signaling pathways to achieve its effects. Publication Types Research Support, Non-U.S. Gov t PMID 10601297 [PubMed - indexed for MEDLINE] SHCB-deficient animals exhibit a loss of peptidergic and nonpeptidergic nociceptive sensory neurons, 1 Neuron. 2000 Dec;28(3) 819-33. The mammalian ShcB and ShcC phosphotyrosine docking proteins function in the maturation of sensory and sympathetic neurons. Sakai R, Henderson JT, O Bryan JP, Elia AJ, Saxton TM, Pawson T. Program in Molecular Biology and Cancer, Samuel Lunenfeld Research Institute, Mount Sinai Hospital, 600 University Avenue, M5G 1X5, Toronto, Ontario, Canada. Shc proteins possess SH2 and PTB domains and serve a scaffolding function in signaling by a variety of receptor tyrosine kinases. There are three known mammalian Shc genes, of which ShcB and ShcC are primarily expressed in the nervous system. We have generated null mutations in ShcB and ShcC and have obtained mice lacking either ShcB or ShcC or both gene products. ShcB-deficient animals exhibit a loss of peptidergic and nonpeptidergic nociceptive sensory neurons, which is not enhanced by additional loss of ShcC. Mice lacking both ShcB and ShcC exhibit a significant loss of neurons within the superior cervical ganglia, which is not observed in either mutant alone. The results indicate that these Shc family members possess both unique and overlapping functions in regulating neural development and suggest physiological roles for ShcB/ShcC in TrkA signaling. PMID 11163269 [PubMed - indexed for MEDLINE] Hippocampal long-term potentiation in ShcC mutant mice is significantly enhanced. 1 J Neurosci. 2005 Feb 16;25(7) 1826-35. Hippocampal synaptic modulation by the phosphotyrosine adapter protein ShcC/N-Shc via interaction with the NMDA receptor. Miyamoto Y, Chen L, Sato M, Sokabe M, Nabeshima T, Pawson T, Sakai R, Mori N. Department of Molecular Genetics, National Institute for Longevity Sciences, Oobu 474-8522, Japan. N-Shc (neural Shc) (also ShcC), an adapter protein possessing two phosphotyrosine binding motifs [PTB (phosphotyrosine binding) and SH2 (Src homology 2) domains], is predominantly expressed in mature neurons of the CNS and transmits neurotrophin signals from the TrkB receptor to the Ras/mitogen-activated protein kinase (MAPK) pathway, leading to cellular growth, differentiation, or survival. Here, we demonstrate a novel role of ShcC, the modulation of NMDA receptor function in the hippocampus, using ShcC gene-deficient mice. In behavioral analyses such as the Morris water maze, contextual fear conditioning, and novel object recognition tasks, ShcC mutant mice exhibited superior ability in hippocampus-dependent spatial and nonspatial learning and memory. Consistent with this finding, electrophysiological analyses revealed that hippocampal long-term potentiation in ShcC mutant mice was significantly enhanced, with no alteration of presynaptic function, and the effect of an NMDA receptor antagonist on its expression in the mutant mice was notably attenuated. The tyrosine phosphorylation of NMDA receptor subunits NR2A and NR2B was also increased, suggesting that ShcC mutant mice have enhanced NMDA receptor function in the hippocampus. These results indicate that ShcC not only mediates TrkB-Ras/MAPK signaling but also is involved in the regulation of NMDA receptor function in the hippocampus via interaction with phosphotyrosine residues on the receptor subunits and serves as a modulator of hippocampal synaptic plasticity underlying learning and memory. PMID 15716419 [PubMed - indexed for MEDLINE] SHCA controls the size of brain. 1 J Neurosci. 2006 Jul 26;26(30) 7885-97. Neural-specific inactivation of ShcA results in increased embryonic neural progenitor apoptosis and microencephaly. McFarland KN, Wilkes SR, Koss SE, Ravichandran KS, Mandell JW. Department of Pathology (Neuropathology), Beirne B. Carter Center for Immunology Research, University of Virginia, Charlottesville, Virginia 22908, USA. Brain size is precisely regulated during development and involves coordination of neural progenitor cell proliferation, differentiation, and survival. The adapter protein ShcA transmits signals from receptor tyrosine kinases via MAPK (mitogen-activated protein kinase)/ERK (extracellular signal-regulated kinase) and PI3K (phosphatidylinositol 3-kinase)/Akt signaling pathways. In the CNS, ShcA expression is high during embryonic development but diminishes as cells differentiate and switches to ShcB/Sck/Sli and ShcC/N-Shc/Rai. To directly test ShcA function in brain development, we used Cre/lox technology to express a dominant-negative form of ShcA (ShcFFF) in nestin-expressing neural progenitors. ShcFFF-expressing mice display microencephaly with brain weights reduced to 50% of littermate controls throughout postnatal and adult life. The cerebrum appeared most severely affected, but the gross architecture of the brain is normal. Body weight was mildly affected with a delay in reaching mature weight. At a mechanistic level, the ShcFFF microencephaly phenotype appears to be primarily attributable to elevated apoptosis levels throughout the brain from embryonic day 10.5 (E10.5) to E12, which declined by E14.5. Apoptosis remained at normal basal levels throughout postnatal development. Proliferation indices were not significantly altered in the embryonic neuroepithelium or within the postnatal subventricular zone. In another approach with the same nestin-Cre transgene, conditional deletion of ShcA in mice with a homozygous floxed shc1 locus also showed a similar microencephaly phenotype. Together, these data suggest a critical role for ShcA in neural progenitor survival signaling and in regulating brain size. PMID 16870734 [PubMed - indexed for MEDLINE] Cbl-b null mice exhibit the enhancement of long-term memory. 1 Proc Natl Acad Sci U S A. 2006 Mar 28;103(13) 5125-30. Epub 2006 Mar 20. Enhancement of long-term memory retention and short-term synaptic plasticity in cbl-b null mice. Tan DP, Liu QY, Koshiya N, Gu H, Alkon D. Blanchette Rockefeller Neurosciences Institute, Rockville, MD 20850, USA. dptan@brni-jhu.org The cbl-b gene is a member of the cbl protooncogene family. It encodes a protein with multiple domains, which can interact with other proteins in a variety of signaling pathways. The functions of cbl family genes in the brain are unknown. In this report, we used genetic, immunohistochemical, behavioral, and electrophysiological approaches to study the role of cbl-b in learning and memory. Cbl-b null mice developed normally and had no abnormalities in their locomotor performance. In spatial learning and memory studies, cbl-b null and WT mice performed similarly during training. To test memory retention, two probe trials were used. cbl-b null mice performed slightly better 1 day after training. However, in the probe trial 45 days after training, the cbl-b null group showed significantly higher memory retention than WT mice, suggesting an enhancement of long-term memory. Using electrophysiological approaches, we found there was enhanced paired-pulse facilitation in the Schaffer Collateral-CA1 glutamatergic synapses of the cbl-b null mice. On the other hand, there was no difference in long-term potentiation between the two groups of mice. In summary, we provide evidence that (i) cbl-b protein is concentrated in the synaptic regions of CA1, CA3, and the dentate gyrus of the hippocampus; (ii) cbl-b null mice have enhanced long-term memory; and (iii) cbl-b null mice show an enhancement in short-term plasticity. These results indicate that cbl-b is a negative regulator of long-term memory, and its neuronal mechanism regulates synaptic transmission in the hippocampus. PMID 16549761 [PubMed - indexed for MEDLINE]
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https://w.atwiki.jp/oper/pages/3510.html
ACTE III Premier Tableau （Comme au premier Acte.） Scène Première （Rideau. Cendrillon paraît.） ▼CENDRILLON▲ （haletante et inquiète） Enfin, je suis ici… La maison est déserte… A revenir… j ai réussi… Sans être découverte; Mais que de peine, que de peine et de souci! （bien chanté） Fuyant dans la nuit solitaire, （avec vivacité） Par les terrasses du palais, en courant J ai perdu ma pantoufle de verre! （avec chaleur） Marraine! Marraine! Ah! voudrez-vous me pardonner jamais? （racontant avec émotion et animation） A l heure dite je fuyais… je fuyais… Je voyais parmi les noires avenues… Se dresser des statues… Quel effroi! quel effroi! Si grandes… si blanches, sous des rayons de lune! Leur yeux sans regards se fixaient sur moi… （vivement, avec effroi） Elles me montraient du doigt. Se riant de mon infortune. Ah! ah! （rire nerveux） ah! ah! ah! Ah! ah! ah! （son rire finit en sanglots） Ah! ah! ah! Ah! ah! ah! Quel effroi! quelle effroi! （changeant de ton et avec ardeur et conviction, comme en une prière très émue） Vous avez dû voir ma détresse, （suppliante） Marraine! Marraine! （avec sentiment et émotion） Pour tenir ma promesse, J ai fait tout ce que je pouvais! （reprenant son récit） Je courais… Dans les profondeurs du jardin… Je m égarais… Tout était sombre… （comme essoufflée） Et je courais toujours… toujours, toujours, toujours! （presqu avec un cri） puis… m arrêtais… soudain… J avais peur… j avais peur… （s empressant de supplier sa Marraine） Vous avez dû voir ma （avec ferveur） détresse! （suppliante） Marraine! Marraine! （avec sentiment et émotion） Pour tenir ma promesse, J ai fait tout ce que je pouvais! （reprenant son récit） Ah! j avais peur! peur de mon ombre… Et je courais toujours! Interrogeant les horizons, Craignant partout des trahisons, Je glisse, je glisse le long des maisons N osant pas traverser la place… （Carillon） Un grand bruit éclate et me glace De sinistres frissons… （changeant de ton et riant de bon coeur et aux éclats） Ah! ah! ah! ah! （très gai, en dehors） C était le carillon, le Carillon du Beffroi! （avec gaîté et entrain） Ah! （bien chanté） Réconfortant mon coeur, Il me disait en son langage, Ah! （bien chanté） Il me disait je veille! （tendrement） je veille, je veille. （avec ardeur） Reprends courage! courage! allons! courage! Va! （découragée, subitement） Mais c en est fait, hélas! （regardant tristement autour d elle） du bal et des splendeurs! Et je n entendrai plus les paroles si tendres Qui me berçaient d espoirs menteurs! （Machinalement elle se rapproche de la cheminee et montrant le foyer éteint） Mon bonheur s est éteint… il n en reste… que cendres! Résigne-toi, Petit grillon, résigne-toi. （comme sortant d un rêve, subitement, avec frayeur） Ah! j entends revenir mes parents! et mes soeurs! A tous il faut cacher mes pleurs… （Elle se sauve dans sa chambre） Scène Seconde （L entrée de Mme de la Haltière et de ses deux filles est tumultueuse. Une grosse discussion est déchaîné. Pandolfe essaie de se disculper, mais il est accablé par les trois femmes.） ▼NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE▲ C est vrai! C est vrai! C est vrai! ▼PANDOLFE▲ Non! Non! Non! ▼MME DE LA HALTIÈRE▲ （à Pandolfe, furibonde） Vous êtes, je vous le déclare, Un sot, un faquin, un ignare, Un portefaix, （avec volubilité） Un grand dadais, Un pauvre Sire, J ose le dire… Vous avez le front de nier Que cette fille, Cette guenille, Cette guenon, Cette chiffon, （avec volubilité） Que vous dirai-je encore, Rien, Rien, en un mot, et moins que rien… et moins que rien… ▼NOÉMIE, DOROTHÉE▲ （toutes deux avec admiration） Ah! maman! que vous parlez bien! Ah! maman! que vous parlez bien! ▼MME DE LA HALTIÈRE▲ （reprenant ses injures） … moins que rien! moins que rien! ▼PANDOLFE▲ （protestant） Non! Non! Non! ▼NOÉMIE, DOROTHÉE▲ （à Pandolfe, en l accablant） C est vrai! C est vrai! C est vrai! ▼PANDOLFE▲ Pourquoi tant vous mettre en colère? ▼MME DE LA HALTIÈRE▲ （à Pandolfe） Espérez-vous que, pour vous plaire, （à tue-tête） Je vais me taire! ▼NOÉMIE, DOROTHÉE▲ Ah! la maudite aventurière! ▼MME DE LA HALTIÈRE▲ Aussi, le Prince a fort bien fait De la chasser, de la belle manière! ▼NOÉMIE, DOROTHÉE▲ （avec une joie ironique） Ah! ah! C était si mérité! C était si mérité! ▼PANDOLFE▲ （timidement, risquant son opinion） Elle avait l air très doux… c est une qualité… ▼MME DE LA HALTIÈRE▲ （le toisant avec mépris） Fi donc! monsieur. Je le conteste. ▼PANDOLFE▲ （voulant protester, parlé） Ah! ▼NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE▲ （les trois femme lui imposant silence） Oui! ▼MME DE LA HALTIÈRE▲ （avec une haute importance, chaque syllabe très prononcée） Lors, qu on a plus de vingt quartiers, Ainsi que notre arbre l atteste, （légèrement） Lorsqu on a, sans compter le reste, Quatre Présidents （avec emphase） à mortiers, Un doge! parmi ses ancêtres, Et la douzaine d archiprêtres, Un Amiral, Un Cardinal, Six Abbesses et treize nonnes, （changeant de ton - légèrement et en badinant） Deux ou trois Maîtresses de Rois Qui, toutes deux ou toutes trois, Portèrent presque des couronnes; （vivement） Sans parler des menus fretins, tels que （légèrement） princes et capucins, （avec emphase） On doit s avancer dans la foule Comme un vaisseau fendant la houle Avec sa gloire pour soutien, Dédaigneux des bruits de （avec éclat） tempête! C est un devoir, entendez bien, Quand on s est haussé jusqu au faîte, De lever les yeux et la tête, （avec emportement） En laissant la douceur à tous vos gens （vivement） de rien! ▼NOÉMIE, DOROTHÉE▲ （avec admiration） Ah! maman! ah maman! que vous parlez bien! ▼PANDOLFE▲ （d un ton lamentable et résigné） J aimerais mieux l obscurité Si j avais la tranquillité! ▼CENDRILLON▲ （qui vient d entrer, vivement） Il est donc arrivé quelque chose, mon père? ▼PANDOLFE▲ （embarrassé） Non, rien vraiment, que de fort ordinaire… ▼MME DE LA HALTIÈRE▲ （à Pandolfe avec une nouvelle explosion） Ah! votre calme m exaspère… Que faut-il pour vous émouvoir? ▼NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE▲ （à Cendrillon, avec empressement） Ecoute-nous, tu vas savoir. Une intrigante, une inconnue, Au bal de la cour est venue. ▼DOROTHÉE▲ Et cette rien, du tout, ▼NOÉMIE▲ Mise sans aucun goût, ▼MME DE LA HALTIÈRE▲ Et cette rien du tout ▼NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE▲ Dans son effronterie… ▼MME DE LA HALTIÈRE▲ （se retournant brusquement du côté de Pandolfe, avec impatience） Laissez-nous dire, je vous prie! （reprenant hâtivement leurs racontars du côté de Cendrillon） Osa parler au fils du Roi! Chacun en fut saisi d effroi… D épouvante et d horreur, D épouvante et d horreur, D épouvante et d horreur, et d horreur （vivement et avec surprise） Ce fut un désarroi! ▼NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE▲ Tout d abord, ▼MME DE LA HALTIÈRE▲ …un digne silence… ▼NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE▲ …a condamné… ▼MME DE LA HALTIÈRE▲ …cette impudence; ▼NOÉMIE, DOROTHÉE▲ …cette impudence! ▼MME DE LA HALTIÈRE▲ Mais au bout d un instant, ▼NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE▲ On a murmuré tant, Que l intruse, bien vite, A dû prendre la fuite, Chassée, au beau milieu du bal, （avec ampleur） Par notre mépris （vivement） général! ▼PANDOLFE▲ （essayant de tout calmer - d un ton raisonnable） Ah! vous exagérez… et beaucoup ce me semble. ▼NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE▲ （toutes les trois, à Pandolfe, avec humeur） Eh! laissez-nous donc en repos; On ne peut pas placer deux mots! ▼PANDOLFE▲ （commençant à s impatienter） Si vous criez toutes ensemble, Je m en vais… Je m en vais… ▼CENDRILLON▲ （aux trois femmes, timide et anxieuse） Ah! racontez-moi… Qu a dit alors le fils du Roi? ▼MME DE LA HALTIÈRE▲ （ironique） Que l on ne pouvait s y m éprendre… Que ses yeux un moment… abusés… voyaient clair… （sans respirer） Et que d ailleurs, rien qu à son air… Cette inconnue était drôlesse bonne à pendre! ▼NOÉMIE, DOROTHÉE▲ （joyeusement） … bonne à pendre! ▼PANDOLFE▲ （s apercevant que Cendrillon chancelle et est prête à défaillir） Mais ma fille pâlit… （à Cendrillon, avec affection et inquiétude） qu as-tu, ma pauvre enfant? （aux trois femmes, avec autorité） Assez de vos caquets… ▼MME DE LA HALTIÈRE▲ Qu un homme est énervant! ▼PANDOLFE▲ （tout à Cendrillon） Mon Dieu! la force l abandonne! （en larmes） Mon enfant! mon enfant! （aux trois femmes, avec force） Sortez! ▼MME DE LA HALTIÈRE▲ （suffoquée, se retournant） Hein! quoi? ▼PANDOLFE▲ Je vous l ordonne! Sortez! Sortez! ▼MME DE LA HALTIÈRE▲ （à ses filles, hors d elle-même） Ah! mes filles! Venez! c en est trop! （à Pandolfe） Je ne vous connais plus! ▼NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE▲ （à Pandolfe, toutes les trois en fureur） Vous êtes un rustaud! un rustaud! un lourdeau! un rustaud! un lourdeau! ▼PANDOLFE▲ Vous, sortez au plus tôt! allez! allez! allez! ▼NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE▲ （les trois femme sont en même temps trois attaques de nerfs, cri aigu et prolongé） Ah! ▼PANDOLFE▲ Vous pouvez trépigner! ▼NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE▲ （de même, 2e crise plus violente） Ah! ▼PANDOLFE▲ Je vous jette à la porte. ▼MME DE LA HALTIÈRE▲ （violemment, à Pandolfe） Rétractez, insolent! ▼PANDOLFE▲ Le diable vous emporte! ▼NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE▲ （3me crise; cri aigu et prolongé des trois femmes qui sortent comme des furies） Ah! Scène Troisième ▼PANDOLFE▲ （à Cendrillon） Ma pauvre enfant chérie! Ah! tu souffres donc bien… （très expressif et bien chanté） Va! repose ton coeur douloureux sur le mien… Et laisse-toi bercer dans mes bras, ma petite! （attendri） Je t ai sacrifiée en venant à la Cour. Mais tu pardonneras, （plus vivement et avec un sourire mêlé de larmes） quand nous rirons un jour De mon ambition maudite. （avec attendrissement） Viens, nous quitterons cette ville Où j ai vu s envoler ta gaîté d autrefois, Et nous retournerons au fond de nos grands bois, Dans notre ferme si tranquille… Là là! nous serons heureux, Bien heureux! Tous les deux. Le matin nous irons comme deux amoureux Cueillir le blanc muguet… ▼CENDRILLON▲ （gentiment et naïvement） … et liserons bleus, Tous les deux! Dès que les cloches argentines S éveilleront… ▼PANDOLFE▲ （continuant la phrase de Cendrillon, avec le même sentiment, presque enfantin） … sonnant matines! ▼CENDRILLON▲ Matines! Le soir nous entendrons du Rossignol des nuits le chant si doux et frais… au profond des forêts… ▼PANDOLFE▲ Viens!… ▼CENDRILLON, PANDOLFE▲ Nous quitterons cette ville Où j ai vu s envoler… ta/ma gaîté d autrefois… （avec sentiment） Là! Nous serons heureux! Bien heureux! Tous les deux! là-bas! ▼CENDRILLON▲ （plus alerte） Maintenant, je suis mieux et je me sens renaître… Tu peux me laisser seule. ▼PANDOLFE▲ （affectueusement） Oui, si tu veux promettre De ne plus être triste （comme un tendre reproche） et de ne plus pleurer; （avec une résolution attendrissante） Pour nous sauver d ici je vais tout préparer! Oui… （en s éloignant doucement） nous quitterons cette ville… （Cendrillon se jetant dans les bras de son père） ▼PANDOLFE▲ （revenant avec élan vers Cendrillon） Là! là! nous serons heureux! Bien heureux! Tout les deux! Scène Quatrième （Cendrillon, seule, regardant encore par où son père est parti semble oppressée, troublée, indécise） ▼CENDRILLON▲ （avec une résolution subite） Seule, je partirai, mon père; Le poids de mon chagrin serait trop lourd pour toi. Je ne veux pas te voir souffrir de ma misère! Mais… je ne peux plus vivre… Il a douté de moi… Lui! mon doux Maître et mon seul Roi! Lui que j adore! il me renie… et me repousse! Pourtant, sa voix était bien douce… Pourtant, ses yeux étaient bien doux! （expressif et tendre） O mes rêves d amour, mes rêves d amour Hélas! （sans retarder） envolez-vous! （très attendrie et simplement） Adieu, mes souvenirs de joie… et de souffrance Qui, malgré tout, me parliez d espérance! （expressif） Témoins et compagnons de mon si court destin! Adieu! adieu, mes tourterelles Pour qui chaque matin, J allais, par les venelles, Cueillir le vert plantin… （simple et triste） je ne vous verrai plus! （allant à la cheminée） Ni toi, ma place familière… （détachant la petite branche pendue à la cheminée; simple et religieux） Que je t embrasse encor, tout séché, tout jauni… Relique d un beau jour, humble rameau béni. （avec un sentiment très profond） Ah! comme on aime ce que l on quitte! （simple et triste） Et toi, le grand fauteuil Où, quand j étais petite, Je courais me blottir bien vite… Frileusement… Sur les genoux de ma maman… （très attendrie） De maman… de maman… si bonne et si jolie! （très caressant） Qui fredonnait en me berçant «C est l Angélus, Dors, mon petit ange, Dors comme Jésus Dormait dans la grange.» （Le tonnerre gronde, l éclair brille, avec un subit désespoir; à volonté） Ah! puisque tout bonheur me fuit, Montant par les roches sacrées, （hardiment） Sans crainte j irai dans la nuit, Malgré les revenants et le follet qui luit… （avec décision） J irai mourir, mourir sous le chêne des fées! （Cendrillon s enfuit rapidement） Deuxième Tableau （Chez la Fée） Scène Première （Un grand chêne au milieu d une lande pleine de genêts en fleurs. Au fond la mer - nuit claire - lumière très bleutée.） ▼VOIX DES ESPRITS▲ （choeur invisible, bouche fermée, effet lointain, mystérieux, à obtenir de l ensemble des voix, selon la nuance qui sera choisie par le chef des choeurs.） ▼LA VOIX DE LA FÉE▲ Ah! ah! Fugitives chimères, O lueurs éphémères, Ames ou follets, ames ou follets, Glissez! sur les bruyères, Flottez sur les genêts! ▼VOIX DES ESPRITS▲ （sopranos） Fugitives chimères, O lueurs passagères, （2e sopranos, contraltos, tenors, basses） Flottez, Glissez! Glissez! ▼LA VOIX DE LA FÉE▲ Cher follets, brillez, Cher follets, glissez! ▼VOIX DES ESPRITS▲ （sopranos） Ames ou follets, ames ou follets! （2e sopranos） Ames, Ames! （contraltos, tenors, basses） Follets, Follets! ▼LA VOIX DE LA FÉE▲ Ah! Ah! ▼VOIX DES ESPRITS▲ （sopranos） Glissez sur les bruyères, Flottez sur les genêts! （2e sopranos, contraltos, tenors, basses） Glissez, et flottez! ▼LA VOIX DE LA FÉE▲ Ah! Ah! Ah! Glissez! glissez! Flottez sur les genêts! ▼VOIX DES ESPRITS▲ （sopranos） Glissez sur les bruyères, Flottez! （2e sopranos, contraltos, tenors, basses） Glissez, et flottez! Danse Silencieuse des goutes de rosée ▼VOIX DES ESPRITS▲ （tenors, basses） Ah! ▼LA VOIX DE LA FÉE▲ Flottez! ▼VOIX DES ESPRITS▲ （sopranos, contraltos, en riant） Ah, ah, ah, ah, ah, ah, ah! ▼VOIX DES ESPRITS▲ （tenors, basses） Ah! ▼LA VOIX DE LA FÉE▲ Flottez! ▼VOIX DES ESPRITS▲ （sopranos, contraltos, en riant） Ah, ah, ah, ah, ah, ah, ah! ▼VOIX DES ESPRITS▲ （contraltos, tenors, basses） Ah! Ah! Flottez! Glissez! Glissez! Follets, follets glissez, Et flottez! Glissez! Flottez! Ah! （sopranos） Fugitives chimères, O lueurs passagères, Ames ou follets, ames ou follets glissez sur les bruyères, flottez! Glissez! Flottez! Ah! ▼LA VOIX DE LA FÉE▲ Ah! Ah! Ah! Ah! Ah! Ah! Flotez sur les genêts! Ah! ▼TROIS ESPRITS▲ （1er Groupe, qui ont accouru） Mais là-bas! au fond de la lande obscure, Par le chemin on voit venir, Sur le doux tapis de verdure, Une enfant qui semble gémir… （2d Groupe, qui accourent） Regardez! au fond de la lande obscure! ▼LA FÉE▲ （dans les branches du chêne） Et de l autre côté… Voyez-vous pas, mes soeurs, Ce pauvre garçon tout en pleurs? ▼LES 2 GROUPES REUNIS▲ Regardez! au fond de la lande obscure… ▼LA FÉE▲ Regardez! ▼LES 2 GROUPES REUNIS▲ （les six Esprits entre eux） Ce sont de jolis amoureux… Comme ils sont malheureux! D ombre voilées… Invisibles pour eux, Mes soeurs, écoutons bien leurs plaintes désolées. ▼LA FÉE▲ （étendant le bras avec autorité） Afin qu ils ne puissent se voir, O fleurs, obéissez au magique pouvoir! Entre le prince et son aimée, Fermez-vous, muraille embaumée! Ah! （La Fée se retire doucement dans les branches et revient invisible） Scène Seconde （Cendrillon et le Prince Charmant arrivent chacun de leur côté. Ils s agenouillent sans se voir. Ils sont séparés par une haie de fleurs. Et ils adressent leur prière à La Fée.） ▼CENDRILLON▲ （simple et fervent） A deux genoux, Bonne Marraine, à deux genoux, J implore mon pardon de vous, Si je vous ai fait moindre peine. A deux genoux, je vous implore à deux genoux, Si je vous ai fait moindre peine. Bonne Marraine! Je viens à vous! ▼LE PRINCE CHARMANT▲ Je viens à vous, Puissante Reine, je viens à vous, Et vous demande à deux genoux De vouloir terminer ma peine. Je viens à vous, je vous implore à deux genoux, Voulez-vous terminer ma peine. Puissante Reine! Je viens à vous! （à La Fée, avec âme） Vous qui pouvez tout voir Et tout savoir, Vous n ignorez pas ma souffrance… Vous n ignorez pas comment, Pendant un trop court moment, Du plus divin bonheur j ai conçu l espérance! （avec chaleur et conviction; bien chanté, expressif） Ce bonheur, je l ai vu de mes yeux! Ce fut un éclair radieux Dont mon âme fut traversée… Dont mon regard fut ébloui. Hélas! En un instant, tout s est évanoui… Tout! hélas! Tout! ▼CENDRILLON▲ （qui a écouté palpitante） Une pauvre âme en grand émoi Est là qui prie et désespère… （très attendri et avec fièvre） Puisqu il n est plus pour moi Que tristesse et misère, （encore plus expressif） Que je souffre en rachat de ce coeur tant meurtri, （à La Fée, avec dévouement） Marraine, frappez-moi, mais que lui soit guéri! ▼LE PRINCE CHARMANT▲ （ayant entendu et tout palpitant） Pauvre femme inconnue, Doux ange de bonté Dont un enchantement me dérobe la vue, Je te bénis! Je te bénis! ▼CENDRILLON▲ （à La Fée, à part） Pitié! pitié pour lui! ▼CENDRILLON, PRINCE CHARMANT▲ （avec ardeur, à la Fée） Ayez pitié! Bonne marraine / Puissante Reineayez pitié! Je vous implore à deux genoux! à deux genoux! ▼LE PRINCE CHARMANT▲ （à Cendrillon, toujours invisible pour lui, avec effusion） Suis-je assez malheureux! （bien chanté, avec ardeur） Mais celle que j aime est si belle Que tu dirais, voyant ses yeux Pas une étoile n étincelle Plus pure （avec élan） au firmament des cieux! （avec bravoure） Asservissant la terre et l onde, Pour la revoir et la chérir, Pour la reconquérir, Je soumettrai le （fièrement） monde! le monde! ▼CENDRILLON▲ （palpitante et avec élan） Vous êtes le Prince Charmant! ▼LE PRINCE CHARMANT▲ （plus palpitant encore） Et toi? toi qui as eu pitié de ma détresse extrême, Qui donc es-tu, m interrogeant? ▼CENDRILLON▲ （toute émue） Je suis Lucette qui vous aime. ▼LE PRINCE CHARMANT▲ （avec ivresse） Ineffable ravissement! ▼CENDRILLON▲ Vous êtes mon Prince Charmant! ▼LE PRINCE CHARMANT▲ （en adoration） Tu me l as dit, ce nom, ce nom que je voulais connaître, O Lucette, de ton doux secret （avec chaleur） Enfin me voilà maître, De tes lèvres mon âme a recueilli l aveu… ▼PRINCE CHARMANT, CENDRILLON▲ （très expressif） Et ta/sa voix me pénètre, d une extase suprême… oui, et ta/sa voix me pénètre d une extase suprême! ▼LE PRINCE CHARMANT▲ Ta voix me pénètre d une extase suprême! Bonne fée… laissez-moi la revoir! ▼CENDRILLON▲ suprème! suprème! Ah! Bonne fée, laissez-moi le revoir! ▼CENDRILLON▲ Sa voix me pénètre! mais l entendre hélas, c est trop peu! ▼CENDRILLON, PRINCE CHARMANT▲ Laissez-moi le/la revoir! ah! par pitié! Bonne fée, laissez-moi le/la revoir! Laissez-moi le/la revoir! ▼LE PRINCE CHARMANT▲ （faisant un serment à haute voix） A la branche du chêne enchanté Bonne fée, Je suspendrai mon coeur… pur et sanglant trophée! ▼LA FÉE▲ （reparaissant dans les branches du chêne） J accepte ton serment. J exauce ton espoir. ▼CHOEUR INVISIBLE▲ （bouche fermée, le chant en dehors） ▼LE PRINCE CHARMANT▲ （revoyant Cendrillon, avec un cri de joie） Ma Lucette! je t ai retrouvée! ▼CENDRILLON▲ （dans les bras du Prince Charmant） O mon Prince Charmant! ▼LE PRINCE CHARMANT▲ Ma Lucette! ▼CENDRILLON▲ （très émue） C est bien vous, mon Prince Charmant! （Les Esprits et les gouttes de Rosée reparaissent de tous côtés et s avancent silencieusement.） ▼LE PRINCE CHARMANT▲ （tendrement） Viens! je t aime! Toute ma vie je t aimerai fidèlement… fidèlement… toujours… ah! toujours! ▼LA FÉE▲ （dans les branches） Ah! Ah! aimez! Ah, aimez! aimez-vous; l heure est brève et croyez en un rêve! ▼CENDRILLON▲ （tendrement） Je consacre ma vie à vous aimer fidèlement… fidèlement… toujours… ah! toujours! （Un sommeil magique s empare de Cendrillon et du Prince Charmant et ils s endorment bercés par la voix des Esprits.） ▼LA FÉE, LES SIX ESPRITS▲ Dormez! Rêvez! Ah! ▼LES VOIX▲ （choeur invisible） Ah! ACTE III Premier Tableau (Comme au premier Acte.) Scène Première (Rideau. Cendrillon paraît.) CENDRILLON (haletante et inquiète) Enfin, je suis ici… La maison est déserte… A revenir… j ai réussi… Sans être découverte; Mais que de peine, que de peine et de souci! (bien chanté) Fuyant dans la nuit solitaire, (avec vivacité) Par les terrasses du palais, en courant J ai perdu ma pantoufle de verre! (avec chaleur) Marraine! Marraine! Ah! voudrez-vous me pardonner jamais? (racontant avec émotion et animation) A l heure dite je fuyais… je fuyais… Je voyais parmi les noires avenues… Se dresser des statues… Quel effroi! quel effroi! Si grandes… si blanches, sous des rayons de lune! Leur yeux sans regards se fixaient sur moi… (vivement, avec effroi) Elles me montraient du doigt. Se riant de mon infortune. Ah! ah! (rire nerveux) ah! ah! ah! Ah! ah! ah! (son rire finit en sanglots) Ah! ah! ah! Ah! ah! ah! Quel effroi! quelle effroi! (changeant de ton et avec ardeur et conviction, comme en une prière très émue) Vous avez dû voir ma détresse, (suppliante) Marraine! Marraine! (avec sentiment et émotion) Pour tenir ma promesse, J ai fait tout ce que je pouvais! (reprenant son récit) Je courais… Dans les profondeurs du jardin… Je m égarais… Tout était sombre… (comme essoufflée) Et je courais toujours… toujours, toujours, toujours! (presqu avec un cri) puis… m arrêtais… soudain… J avais peur… j avais peur… (s empressant de supplier sa Marraine) Vous avez dû voir ma (avec ferveur) détresse! (suppliante) Marraine! Marraine! (avec sentiment et émotion) Pour tenir ma promesse, J ai fait tout ce que je pouvais! (reprenant son récit) Ah! j avais peur! peur de mon ombre… Et je courais toujours! Interrogeant les horizons, Craignant partout des trahisons, Je glisse, je glisse le long des maisons N osant pas traverser la place… (Carillon) Un grand bruit éclate et me glace De sinistres frissons… (changeant de ton et riant de bon coeur et aux éclats) Ah! ah! ah! ah! (très gai, en dehors) C était le carillon, le Carillon du Beffroi! (avec gaîté et entrain) Ah! (bien chanté) Réconfortant mon coeur, Il me disait en son langage, Ah! (bien chanté) Il me disait je veille! (tendrement) je veille, je veille. (avec ardeur) Reprends courage! courage! allons! courage! Va! (découragée, subitement) Mais c en est fait, hélas! (regardant tristement autour d elle) du bal et des splendeurs! Et je n entendrai plus les paroles si tendres Qui me berçaient d espoirs menteurs! (Machinalement elle se rapproche de la cheminee et montrant le foyer éteint) Mon bonheur s est éteint… il n en reste… que cendres! Résigne-toi, Petit grillon, résigne-toi. (comme sortant d un rêve, subitement, avec frayeur) Ah! j entends revenir mes parents! et mes soeurs! A tous il faut cacher mes pleurs… (Elle se sauve dans sa chambre) Scène Seconde (L entrée de Mme de la Haltière et de ses deux filles est tumultueuse. Une grosse discussion est déchaîné. Pandolfe essaie de se disculper, mais il est accablé par les trois femmes.) NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE C est vrai! C est vrai! C est vrai! PANDOLFE Non! Non! Non! MME DE LA HALTIÈRE (à Pandolfe, furibonde) Vous êtes, je vous le déclare, Un sot, un faquin, un ignare, Un portefaix, (avec volubilité) Un grand dadais, Un pauvre Sire, J ose le dire… Vous avez le front de nier Que cette fille, Cette guenille, Cette guenon, Cette chiffon, (avec volubilité) Que vous dirai-je encore, Rien, Rien, en un mot, et moins que rien… et moins que rien… NOÉMIE, DOROTHÉE (toutes deux avec admiration) Ah! maman! que vous parlez bien! Ah! maman! que vous parlez bien! MME DE LA HALTIÈRE (reprenant ses injures) … moins que rien! moins que rien! PANDOLFE (protestant) Non! Non! Non! NOÉMIE, DOROTHÉE (à Pandolfe, en l accablant) C est vrai! C est vrai! C est vrai! PANDOLFE Pourquoi tant vous mettre en colère? MME DE LA HALTIÈRE (à Pandolfe) Espérez-vous que, pour vous plaire, (à tue-tête) Je vais me taire! NOÉMIE, DOROTHÉE Ah! la maudite aventurière! MME DE LA HALTIÈRE Aussi, le Prince a fort bien fait De la chasser, de la belle manière! NOÉMIE, DOROTHÉE (avec une joie ironique) Ah! ah! C était si mérité! C était si mérité! PANDOLFE (timidement, risquant son opinion) Elle avait l air très doux… c est une qualité… MME DE LA HALTIÈRE (le toisant avec mépris) Fi donc! monsieur. Je le conteste. PANDOLFE (voulant protester, parlé) Ah! NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE (les trois femme lui imposant silence) Oui! MME DE LA HALTIÈRE (avec une haute importance, chaque syllabe très prononcée) Lors, qu on a plus de vingt quartiers, Ainsi que notre arbre l atteste, (légèrement) Lorsqu on a, sans compter le reste, Quatre Présidents (avec emphase) à mortiers, Un doge! parmi ses ancêtres, Et la douzaine d archiprêtres, Un Amiral, Un Cardinal, Six Abbesses et treize nonnes, (changeant de ton - légèrement et en badinant) Deux ou trois Maîtresses de Rois Qui, toutes deux ou toutes trois, Portèrent presque des couronnes; (vivement) Sans parler des menus fretins, tels que (légèrement) princes et capucins, (avec emphase) On doit s avancer dans la foule Comme un vaisseau fendant la houle Avec sa gloire pour soutien, Dédaigneux des bruits de (avec éclat) tempête! C est un devoir, entendez bien, Quand on s est haussé jusqu au faîte, De lever les yeux et la tête, (avec emportement) En laissant la douceur à tous vos gens (vivement) de rien! NOÉMIE, DOROTHÉE (avec admiration) Ah! maman! ah maman! que vous parlez bien! PANDOLFE (d un ton lamentable et résigné) J aimerais mieux l obscurité Si j avais la tranquillité! CENDRILLON (qui vient d entrer, vivement) Il est donc arrivé quelque chose, mon père? PANDOLFE (embarrassé) Non, rien vraiment, que de fort ordinaire… MME DE LA HALTIÈRE (à Pandolfe avec une nouvelle explosion) Ah! votre calme m exaspère… Que faut-il pour vous émouvoir? NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE (à Cendrillon, avec empressement) Ecoute-nous, tu vas savoir. Une intrigante, une inconnue, Au bal de la cour est venue. DOROTHÉE Et cette rien, du tout, NOÉMIE Mise sans aucun goût, MME DE LA HALTIÈRE Et cette rien du tout NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE Dans son effronterie… MME DE LA HALTIÈRE (se retournant brusquement du côté de Pandolfe, avec impatience) Laissez-nous dire, je vous prie! (reprenant hâtivement leurs racontars du côté de Cendrillon) Osa parler au fils du Roi! Chacun en fut saisi d effroi… D épouvante et d horreur, D épouvante et d horreur, D épouvante et d horreur, et d horreur (vivement et avec surprise) Ce fut un désarroi! NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE Tout d abord, MME DE LA HALTIÈRE …un digne silence… NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE …a condamné… MME DE LA HALTIÈRE …cette impudence; NOÉMIE, DOROTHÉE …cette impudence! MME DE LA HALTIÈRE Mais au bout d un instant, NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE On a murmuré tant, Que l intruse, bien vite, A dû prendre la fuite, Chassée, au beau milieu du bal, (avec ampleur) Par notre mépris (vivement) général! PANDOLFE (essayant de tout calmer - d un ton raisonnable) Ah! vous exagérez… et beaucoup ce me semble. NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE (toutes les trois, à Pandolfe, avec humeur) Eh! laissez-nous donc en repos; On ne peut pas placer deux mots! PANDOLFE (commençant à s impatienter) Si vous criez toutes ensemble, Je m en vais… Je m en vais… CENDRILLON (aux trois femmes, timide et anxieuse) Ah! racontez-moi… Qu a dit alors le fils du Roi? MME DE LA HALTIÈRE (ironique) Que l on ne pouvait s y m éprendre… Que ses yeux un moment… abusés… voyaient clair… (sans respirer) Et que d ailleurs, rien qu à son air… Cette inconnue était drôlesse bonne à pendre! NOÉMIE, DOROTHÉE (joyeusement) … bonne à pendre! PANDOLFE (s apercevant que Cendrillon chancelle et est prête à défaillir) Mais ma fille pâlit… (à Cendrillon, avec affection et inquiétude) qu as-tu, ma pauvre enfant? (aux trois femmes, avec autorité) Assez de vos caquets… MME DE LA HALTIÈRE Qu un homme est énervant! PANDOLFE (tout à Cendrillon) Mon Dieu! la force l abandonne! (en larmes) Mon enfant! mon enfant! (aux trois femmes, avec force) Sortez! MME DE LA HALTIÈRE (suffoquée, se retournant) Hein! quoi? PANDOLFE Je vous l ordonne! Sortez! Sortez! MME DE LA HALTIÈRE (à ses filles, hors d elle-même) Ah! mes filles! Venez! c en est trop! (à Pandolfe) Je ne vous connais plus! NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE (à Pandolfe, toutes les trois en fureur) Vous êtes un rustaud! un rustaud! un lourdeau! un rustaud! un lourdeau! PANDOLFE Vous, sortez au plus tôt! allez! allez! allez! NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE (les trois femme sont en même temps trois attaques de nerfs, cri aigu et prolongé) Ah! PANDOLFE Vous pouvez trépigner! NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE (de même, 2e crise plus violente) Ah! PANDOLFE Je vous jette à la porte. MME DE LA HALTIÈRE (violemment, à Pandolfe) Rétractez, insolent! PANDOLFE Le diable vous emporte! NOÉMIE, DOROTHÉE, MME DE LA HALTIÈRE (3me crise; cri aigu et prolongé des trois femmes qui sortent comme des furies) Ah! Scène Troisième PANDOLFE (à Cendrillon) Ma pauvre enfant chérie! Ah! tu souffres donc bien… (très expressif et bien chanté) Va! repose ton coeur douloureux sur le mien… Et laisse-toi bercer dans mes bras, ma petite! (attendri) Je t ai sacrifiée en venant à la Cour. Mais tu pardonneras, (plus vivement et avec un sourire mêlé de larmes) quand nous rirons un jour De mon ambition maudite. (avec attendrissement) Viens, nous quitterons cette ville Où j ai vu s envoler ta gaîté d autrefois, Et nous retournerons au fond de nos grands bois, Dans notre ferme si tranquille… Là là! nous serons heureux, Bien heureux! Tous les deux. Le matin nous irons comme deux amoureux Cueillir le blanc muguet… CENDRILLON (gentiment et naïvement) … et liserons bleus, Tous les deux! Dès que les cloches argentines S éveilleront… PANDOLFE (continuant la phrase de Cendrillon, avec le même sentiment, presque enfantin) … sonnant matines! CENDRILLON Matines! Le soir nous entendrons du Rossignol des nuits le chant si doux et frais… au profond des forêts… PANDOLFE Viens!… CENDRILLON, PANDOLFE Nous quitterons cette ville Où j ai vu s envoler… ta/ma gaîté d autrefois… (avec sentiment) Là! Nous serons heureux! Bien heureux! Tous les deux! là-bas! CENDRILLON (plus alerte) Maintenant, je suis mieux et je me sens renaître… Tu peux me laisser seule. PANDOLFE (affectueusement) Oui, si tu veux promettre De ne plus être triste (comme un tendre reproche) et de ne plus pleurer; (avec une résolution attendrissante) Pour nous sauver d ici je vais tout préparer! Oui… (en s éloignant doucement) nous quitterons cette ville… (Cendrillon se jetant dans les bras de son père) PANDOLFE (revenant avec élan vers Cendrillon) Là! là! nous serons heureux! Bien heureux! Tout les deux! Scène Quatrième (Cendrillon, seule, regardant encore par où son père est parti semble oppressée, troublée, indécise) CENDRILLON (avec une résolution subite) Seule, je partirai, mon père; Le poids de mon chagrin serait trop lourd pour toi. Je ne veux pas te voir souffrir de ma misère! Mais… je ne peux plus vivre… Il a douté de moi… Lui! mon doux Maître et mon seul Roi! Lui que j adore! il me renie… et me repousse! Pourtant, sa voix était bien douce… Pourtant, ses yeux étaient bien doux! (expressif et tendre) O mes rêves d amour, mes rêves d amour Hélas! (sans retarder) envolez-vous! (très attendrie et simplement) Adieu, mes souvenirs de joie… et de souffrance Qui, malgré tout, me parliez d espérance! (expressif) Témoins et compagnons de mon si court destin! Adieu! adieu, mes tourterelles Pour qui chaque matin, J allais, par les venelles, Cueillir le vert plantin… (simple et triste) je ne vous verrai plus! (allant à la cheminée) Ni toi, ma place familière… (détachant la petite branche pendue à la cheminée; simple et religieux) Que je t embrasse encor, tout séché, tout jauni… Relique d un beau jour, humble rameau béni. (avec un sentiment très profond) Ah! comme on aime ce que l on quitte! (simple et triste) Et toi, le grand fauteuil Où, quand j étais petite, Je courais me blottir bien vite… Frileusement… Sur les genoux de ma maman… (très attendrie) De maman… de maman… si bonne et si jolie! (très caressant) Qui fredonnait en me berçant «C est l Angélus, Dors, mon petit ange, Dors comme Jésus Dormait dans la grange.» (Le tonnerre gronde, l éclair brille, avec un subit désespoir; à volonté) Ah! puisque tout bonheur me fuit, Montant par les roches sacrées, (hardiment) Sans crainte j irai dans la nuit, Malgré les revenants et le follet qui luit… (avec décision) J irai mourir, mourir sous le chêne des fées! (Cendrillon s enfuit rapidement) Deuxième Tableau (Chez la Fée) Scène Première (Un grand chêne au milieu d une lande pleine de genêts en fleurs. Au fond la mer - nuit claire - lumière très bleutée.) VOIX DES ESPRITS (choeur invisible, bouche fermée, effet lointain, mystérieux, à obtenir de l ensemble des voix, selon la nuance qui sera choisie par le chef des choeurs.) LA VOIX DE LA FÉE Ah! ah! Fugitives chimères, O lueurs éphémères, Ames ou follets, ames ou follets, Glissez! sur les bruyères, Flottez sur les genêts! VOIX DES ESPRITS (sopranos) Fugitives chimères, O lueurs passagères, (2e sopranos, contraltos, tenors, basses) Flottez, Glissez! Glissez! LA VOIX DE LA FÉE Cher follets, brillez, Cher follets, glissez! VOIX DES ESPRITS (sopranos) Ames ou follets, ames ou follets! (2e sopranos) Ames, Ames! (contraltos, tenors, basses) Follets, Follets! LA VOIX DE LA FÉE Ah! Ah! VOIX DES ESPRITS (sopranos) Glissez sur les bruyères, Flottez sur les genêts! (2e sopranos, contraltos, tenors, basses) Glissez, et flottez! LA VOIX DE LA FÉE Ah! Ah! Ah! Glissez! glissez! Flottez sur les genêts! VOIX DES ESPRITS (sopranos) Glissez sur les bruyères, Flottez! (2e sopranos, contraltos, tenors, basses) Glissez, et flottez! Danse Silencieuse des goutes de rosée VOIX DES ESPRITS (tenors, basses) Ah! LA VOIX DE LA FÉE Flottez! VOIX DES ESPRITS (sopranos, contraltos, en riant) Ah, ah, ah, ah, ah, ah, ah! VOIX DES ESPRITS (tenors, basses) Ah! LA VOIX DE LA FÉE Flottez! VOIX DES ESPRITS (sopranos, contraltos, en riant) Ah, ah, ah, ah, ah, ah, ah! VOIX DES ESPRITS (contraltos, tenors, basses) Ah! Ah! Flottez! Glissez! Glissez! Follets, follets glissez, Et flottez! Glissez! Flottez! Ah! (sopranos) Fugitives chimères, O lueurs passagères, Ames ou follets, ames ou follets glissez sur les bruyères, flottez! Glissez! Flottez! Ah! LA VOIX DE LA FÉE Ah! Ah! Ah! Ah! Ah! Ah! Flotez sur les genêts! Ah! TROIS ESPRITS (1er Groupe, qui ont accouru) Mais là-bas! au fond de la lande obscure, Par le chemin on voit venir, Sur le doux tapis de verdure, Une enfant qui semble gémir… (2d Groupe, qui accourent) Regardez! au fond de la lande obscure! LA FÉE (dans les branches du chêne) Et de l autre côté… Voyez-vous pas, mes soeurs, Ce pauvre garçon tout en pleurs? LES 2 GROUPES REUNIS Regardez! au fond de la lande obscure… LA FÉE Regardez! LES 2 GROUPES REUNIS (les six Esprits entre eux) Ce sont de jolis amoureux… Comme ils sont malheureux! D ombre voilées… Invisibles pour eux, Mes soeurs, écoutons bien leurs plaintes désolées. LA FÉE (étendant le bras avec autorité) Afin qu ils ne puissent se voir, O fleurs, obéissez au magique pouvoir! Entre le prince et son aimée, Fermez-vous, muraille embaumée! Ah! (La Fée se retire doucement dans les branches et revient invisible) Scène Seconde (Cendrillon et le Prince Charmant arrivent chacun de leur côté. Ils s agenouillent sans se voir. Ils sont séparés par une haie de fleurs. Et ils adressent leur prière à La Fée.) CENDRILLON (simple et fervent) A deux genoux, Bonne Marraine, à deux genoux, J implore mon pardon de vous, Si je vous ai fait moindre peine. A deux genoux, je vous implore à deux genoux, Si je vous ai fait moindre peine. Bonne Marraine! Je viens à vous! LE PRINCE CHARMANT Je viens à vous, Puissante Reine, je viens à vous, Et vous demande à deux genoux De vouloir terminer ma peine. Je viens à vous, je vous implore à deux genoux, Voulez-vous terminer ma peine. Puissante Reine! Je viens à vous! (à La Fée, avec âme) Vous qui pouvez tout voir Et tout savoir, Vous n ignorez pas ma souffrance… Vous n ignorez pas comment, Pendant un trop court moment, Du plus divin bonheur j ai conçu l espérance! (avec chaleur et conviction; bien chanté, expressif) Ce bonheur, je l ai vu de mes yeux! Ce fut un éclair radieux Dont mon âme fut traversée… Dont mon regard fut ébloui. Hélas! En un instant, tout s est évanoui… Tout! hélas! Tout! CENDRILLON (qui a écouté palpitante) Une pauvre âme en grand émoi Est là qui prie et désespère… (très attendri et avec fièvre) Puisqu il n est plus pour moi Que tristesse et misère, (encore plus expressif) Que je souffre en rachat de ce coeur tant meurtri, (à La Fée, avec dévouement) Marraine, frappez-moi, mais que lui soit guéri! LE PRINCE CHARMANT (ayant entendu et tout palpitant) Pauvre femme inconnue, Doux ange de bonté Dont un enchantement me dérobe la vue, Je te bénis! Je te bénis! CENDRILLON (à La Fée, à part) Pitié! pitié pour lui! CENDRILLON, PRINCE CHARMANT (avec ardeur, à la Fée) Ayez pitié! Bonne marraine / Puissante Reineayez pitié! Je vous implore à deux genoux! à deux genoux! LE PRINCE CHARMANT (à Cendrillon, toujours invisible pour lui, avec effusion) Suis-je assez malheureux! (bien chanté, avec ardeur) Mais celle que j aime est si belle Que tu dirais, voyant ses yeux Pas une étoile n étincelle Plus pure (avec élan) au firmament des cieux! (avec bravoure) Asservissant la terre et l onde, Pour la revoir et la chérir, Pour la reconquérir, Je soumettrai le (fièrement) monde! le monde! CENDRILLON (palpitante et avec élan) Vous êtes le Prince Charmant! LE PRINCE CHARMANT (plus palpitant encore) Et toi? toi qui as eu pitié de ma détresse extrême, Qui donc es-tu, m interrogeant? CENDRILLON (toute émue) Je suis Lucette qui vous aime. LE PRINCE CHARMANT (avec ivresse) Ineffable ravissement! CENDRILLON Vous êtes mon Prince Charmant! LE PRINCE CHARMANT (en adoration) Tu me l as dit, ce nom, ce nom que je voulais connaître, O Lucette, de ton doux secret (avec chaleur) Enfin me voilà maître, De tes lèvres mon âme a recueilli l aveu… PRINCE CHARMANT, CENDRILLON (très expressif) Et ta/sa voix me pénètre, d une extase suprême… oui, et ta/sa voix me pénètre d une extase suprême! LE PRINCE CHARMANT Ta voix me pénètre d une extase suprême! Bonne fée… laissez-moi la revoir! CENDRILLON suprème! suprème! Ah! Bonne fée, laissez-moi le revoir! CENDRILLON Sa voix me pénètre! mais l entendre hélas, c est trop peu! CENDRILLON, PRINCE CHARMANT Laissez-moi le/la revoir! ah! par pitié! Bonne fée, laissez-moi le/la revoir! Laissez-moi le/la revoir! LE PRINCE CHARMANT (faisant un serment à haute voix) A la branche du chêne enchanté Bonne fée, Je suspendrai mon coeur… pur et sanglant trophée! LA FÉE (reparaissant dans les branches du chêne) J accepte ton serment. J exauce ton espoir. CHOEUR INVISIBLE (bouche fermée, le chant en dehors) LE PRINCE CHARMANT (revoyant Cendrillon, avec un cri de joie) Ma Lucette! je t ai retrouvée! CENDRILLON (dans les bras du Prince Charmant) O mon Prince Charmant! LE PRINCE CHARMANT Ma Lucette! CENDRILLON (très émue) C est bien vous, mon Prince Charmant! (Les Esprits et les gouttes de Rosée reparaissent de tous côtés et s avancent silencieusement.) LE PRINCE CHARMANT (tendrement) Viens! je t aime! Toute ma vie je t aimerai fidèlement… fidèlement… toujours… ah! toujours! LA FÉE (dans les branches) Ah! Ah! aimez! Ah, aimez! aimez-vous; l heure est brève et croyez en un rêve! CENDRILLON (tendrement) Je consacre ma vie à vous aimer fidèlement… fidèlement… toujours… ah! toujours! (Un sommeil magique s empare de Cendrillon et du Prince Charmant et ils s endorment bercés par la voix des Esprits.) LA FÉE, LES SIX ESPRITS Dormez! Rêvez! Ah! LES VOIX (choeur invisible) Ah! Massenet,Jules/Cendrillon/IV
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ローカル画像をアップロードせずにcanvasに取り込み 以下を参考に作成。 html5の File API を使って、アップロード無しで画像プレビュー - 超自己満足プログラミング canvasにローカルの画像ファイルを描画するには - 技術めも 動作確認は次の環境で実施。 OSWindows XP SP3 (サーバ・クライアント共に) サーバApache HTTPD 2.2.22 ブラウザMozilla FireFox 20.0.1 / Google Chrome 26.0 !DOCTYPE html html head meta charset="utf-8" script type="text/javascript" src="http //ajax.googleapis.com/ajax/libs/jquery/1.8.2/jquery.min.js" /script script type="text/javascript" !-- function preview(ele) { if (!ele.files.length) return; // ファイル未選択 var file = ele.files[0]; if (!/^image\/(png|jpeg|gif)$/.test(file.type)) return; // typeプロパティでMIMEタイプを参照 // CANVAS取得 var canvas = $("#c1"); var ctx = canvas[0].getContext("2d"); var img = document.createElement( img ); var fr = new FileReader(); fr.onload = function() { img.src = fr.result; // 読み込んだ画像データをsrcにセット } img.onload = function() { ctx.drawImage(img, 0, 0); // 読み込んだ画像データをcanvasに描画 } fr.readAsDataURL(file); // 画像読み込み } //-- /script /head body form input type="file" name="file" onchange="preview(this)" size="80"/ br/ canvas id="c1" width="640" height="480" style="border dotted;"/ /form /body /html
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■Flash扱サイト■ FLASHの面白いゲーム 攻略スレまとめ有志によるまとめサイト（日本） http //flash.s77.xrea.com/ FLASHの面白いゲームまとめ@wiki（日本）http //www6.atwiki.jp/flashgame/ VIPブラウザゲーまとめwiki（日本）http //www12.atwiki.jp/wizry/ http //wiki.livedoor.jp/burauzage/d/FrontPage(新) http //xvf.finito.fc2.com/vipburauza/index.html(単発ゲー) http //witanmodoki.finito.fc2.com/index.html(単発ゲー新) http //wiki.livedoor.jp/vipteacher/d/FrontPage(単発ゲーwiki) VIP脱出ゲーまとめwiki（日本）http //www25.atwiki.jp/vipescape/ http //www26.atwiki.jp/vipescape2/(新) eyezmaze秀逸なパズルゲームが沢山（日本） http //www.eyezmaze.com/grow/cube/index_jp.html KITERETSUZOOKEEPERなど有名なパズルゲーム（日本） http //www.kiteretsu.jp/index.html Original簡単ながら奥の深いやりこみゲーム集（日本） http //www.ferryhalim.com/orisinal/ wiiのリモコンでプレイできるFLASHゲームまとめ有志のブログでまとめられていました（日本） http //www.popxpop.com/archives/2006/12/wii.html WiiFlashWiiで遊べるゲームを集めたサイト（日本） http //www.wiiflash.jp/ WiiCadeWiiで遊ぶことを主に集められたサイト（海外） http //www.wiicade.com/Home.aspx Wii Flash GamesWiiCadeよりも単純なものが多いです（海外） http //www.albinoblacksheep.com/games/wii/ ぷよぷよフィーバー Official Web おたのしみミニゲームぷよぷよフィーバーの公式サイトにあるミニゲーム集。全てWiiで遊べます(日本) http //puyofever.sega.jp/otanoshimi.html クターのウェブゲーム笑っているのか泣いているのか分からないクターのウェブゲーム集(日本) http //www.kutar.com/webgame/index.html Rucky絵はひどいけど、Wiiのみのランキングがあるしょぼいゲームサイト(日本) http //rucky.sakura.ne.jp/ ワクワク！まるちらんど Wii Games(日本)http //www.fx-force.net/wii/ wiiz -wii専用フラッシュサイト-(日本)http //wiiz.jp/ ■2chで取り扱ってる板・スレ■ FLASH板http //pc11.2ch.net/swf/ ブラウザゲーム板http //game12.2ch.net/gameswf/ ■Flash扱サイト（成人向）■ 子供も見るので消しました
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Introduction to the Human Dimensions of Global Change (Active Learning Modules on the Human Dimensions of Global Change Series) Assn of Amer Geographers? Emma Archer? B. L., III Turner? AssnofAmerGeographers? EmmaArcher? B.L.,IIITurner? ジャンル別? Substores-UnknownASINs-28? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Industry in Concert With the Environment Technological Change and Industrial Ecology With Notes on Active Pedagogy (Active Learning Modules on the Human Dimensions of Global Change Series) Assn of Amer Geographers? James Eflin? AssnofAmerGeographers? JamesEflin? ジャンル別? Substores-UnknownASINs-28? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? 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